Sunday, July 9, 2017
This statue is of the last king of ancient Egypt's 18Th Dynasty, Horemheb, who reigned from about 1323-1295 BC. The statue was found at his Saqqara tomb he had created before his accession to kingship. Here the king is seated next to his likely first wife Amenia, and sadly this is what the statue looks like today in Luxor.
Over the years I have been running this search on my site in hopes that someone will return Amenia. Certainly the missing piece is unsalable, and as a result, she may just be hidden away being a dangerous lady to be found with. She may have undergone alterations like cutting away the lower torso, and perhaps the join between her and her husband. Add a little paint, and she may be now the bust of an unknown woman sitting in plain sight.
The Egyptian Supreme Council of Antiquities has a number of objects they are looking for besides Amenia including 38 gold mainly Greco-Roman bracelets stolen since the 1970's.
The Egyptian Supreme Council of Antiquities
Top photo: (from Martin, The Hidden Tombs of Memphis)
Bottom photo: Luxor Museum
Saturday, May 13, 2017
A very interesting discovery at an animal necropolis south of Cairo at the Minya archaeological site. Among the mummies is also one that appears intact complete with a garland on top the shrouded body.
The apparent lack of offerings may point to the mummies being from the Third Intermediate Period or later. Many of the mummies appear to be quite deteriorated. Most of the bodies are without coffins though there are at least one stone and one terracotta sarcophagi.
Thursday, April 6, 2017
Back in July of 2008 came the discovery by Miroslav Barta and the Czech Institute of Egyptology the discovery of an intact Old Kingdom tomb at Abusir. Such a discovery of an intact tomb of that age had not happened in 50 years.
The 4400-year-old burial likely has brought much knowledge in the past decade. Since then Miroslav Barta and the Czech Institute have had many more exciting days but this important discovery is clearly the rarest of finds.
Radio Praha by Jan Velinger
Photo: Czech Institute of Egyptology
Saturday, April 1, 2017
Many people will remember this perfume bottle in Germany's Bonn University Egyptian Museum from an article in 2009 about recreating the perfume by deconstructing the residue of its contents. There was big fanfare about it belonging to King Hatshepsut, and that the bottle was found among her belongings. I know of no excavation in which Hatshepsut's belongings were found except for her tomb in the Valley of the Kings which to my knowledge contained mostly damaged funerary goods.
The photo presents a good view of the bottles outline which bears no symmetry that I would expect from a royal vessel. A finer craftsman would have worked the simple bottle to a much more sharper finish. An object with a cartouche on it does not mean that it belonged to a king other than the technicality that everything belonged to the king. But, if you were Hatshepsut and wanted to reward a courtier for their loyalty would you give this shabby production.
This is not suitable for a queens dressing table, can you see this thing on Queen Victoria's dressing table or Queen Elizabeth's? I might suggest that the lord of the two lands would likely be furnished by the royal workshops and not with provincial mediocrity as is presented here. I would also suspect that such a vessel for a queen's boudoir might be made out of gold or silver such as Tutankhamun's double cartouche scent box.
In the tomb of Tutankhamun were found many vessels carved from alabaster including two shaped like lions, and though many of the vessels may be seen as gaudy all of them are the creation of the finest carvers. The Hatshepsut bottle in Bonn does not belong in the tradition of any of Tutankhamun's alabaster vessels, The bottle in Bonn does not belong to a royal tradition.
This tradition can be found in numerous examples of cosmetic vessels predating Hatshepsut from the Middle Kingdom in which some examples have been even carved of obsidian. A much more challenging medium to carve in than alabaster. This tradition of quality in cutting stone vessels goes back to the earliest dynasties leading up to the Old Kingdom.
The Metropolitan Museum of Art in New York has an amazing alabaster scent bottle in the form of a cat much more worthy a royal boudoir. Unfortunate that the object is without provenance.
I have little doubt that the Bonn bottle and its contents are indeed ancient and as a bottle without the cartouche that it would have had very little value as a souvenir. Carve Hatshepsut's cartouche on it and it becomes a royal object worth many, many times more than without. A definite motive for deception.
So what's wrong with the Hatshepsut cartouche?
It seems that the engraver started with the cartouche outline followed by the Ka element which dominates almost half the space in the cartouche causing the Maat and Re elements to be crammed into the remaining space above. This element is also not centered. The flat base of the cartouche, the goddess, and the Re element have been drilled uncomfortably deep and even the cartouche outline is scratchy in appearance.
It is for me, however, the patina within all these engraved elements that is not right. If anything these details should be darker than the body yet there is signs the color of the patina has been damaged in the area of the cartouche as these engravings appear at least from this photograph to be lighter than the surface of the bottle itself. It is, of course, impossible to fully judge a work of art from one photograph as in this case the object appears to have been photographed with a light source above the bottle and this may interfere with the patina in the cartouche as photographed.
Whether I am right about the cartouche being fake or not the bottle's manufacture is beneath a royal purpose after all the king is citizen number one and as such worthy of the finest products the workshops produced, and for this reason alone, it is unlikely that Hatshepsut ever came in contact with this meager object.
Photograph Courtesy of Bonn University Egyptian Museum
Article on the bottle from National Geographic by Christine Dell'Amore
Photo of Tutankhamun's waving lion bottle: Tour Egypt
Cat Cosmetic Vessel: The Metropolitan Museum of Art
Links to more Perfume Bottles;
18th Dynasty perfume bottle: The Metropolitan Museum of Art
Trussed ducks bottle: The Metropolitan Museum of Art
Harry Burton photographs of vessels in Tutankhamun's tomb: The Griffith Institute, Oxford University
Monday, March 13, 2017
Fortune has played its hand with the discovery of the intact tomb of Hatnofer and Ramose in the courtyard of their son Senenmut's prominent tomb at Sheik Abd el Qurna, TT71. Senenmut's tomb was explored by the Metropolitan Museum of Art's expedition in 1936 with the prize being the smashed brown quartzite sarcophagus which because it was unfinished has led some to believe that it was never used by Senenmut.
Though if it was used by Senenmut hopefully his mummy was not in it at the time of its thorough destruction. The DNA of Hatnofer and Ramose may well identify their son out of the unknown royal mummies if his mummy has been found though the chances of discovery of this individual is very remote
As it happens Senenmut's father Ramose was a skeleton when found and was probably not mummified while his mother was mummified but since excavation has become mostly a skeleton as well. This is good as little damage will occur to their remains for DNA tests to find their famous son.
Among the male mummy's from the cache tombs DB 320 and KV 35 that appear not to be a direct family member of the Thutmoside king's families. Perhaps the best choice must be the mummy in the coffin inscribed for Nibsoni and known as "Unknown man C". Described in his 1912 "Mummies Royal" G. E. Smith refers to the mummy as "tall, vigorous man","must have seemed a very giant amongst them, and is hardly likely to have sprung from such puny stock".
Mr. Smith makes this statement in reference to the XVIII Dynasty king's found in the cache with our unknown man "C". He say's little more about this mummy other than the mummy had been riffled in modern times before the official discovery of the tomb. Unfortunately, the research on this individual is sparse though Mr. Smith believed the mummy's arm position suggests he dates before Thutmosis II.
A contender from around the correct period of the early Thutmoside king's including the reign of Hatshepsut. A couple thoughts have come to me in that the king's cache tomb DB 320 held a box with the name of Hatshepsut though the body of that king was not found in that cache. The box seems to be all that was collected from its find-spot unless it was found, and came into DB 320 with one of the mummies found there.
It has come to my notice that many if not most of Senenmut's statues are in good condition suggesting that he and his statues did not face a thorough damnatio memoriae after death, and that might make the smashed sarcophagus an anomaly that could have occurred hundreds or even thousands of years after Senenmut's passing.
From the king's cache at Deir el-Bahari was found the small box that contained the tooth belonging to the mummy identified as Hatshepsut found in Valley of the Kings tomb KV 60. Somehow the box became separate from Hatshepsut's burial. Hard to believe that the reburial commission would take the box and leave the kings mummy behind. There has to be the thought that her mummy was already gone by the time the reburial commission entered whichever tomb the box was found in. Perhaps removed by Thutmosis III, Hatshepsut's successor.
Senenmut had two choices for his burial including a tomb inside the Hatshepsut quarry near her mortuary temple at Deir el-Bahari. The tomb, when found by the Metropolitan Museum of Art's excavations was completely empty. It suggests that he was buried in his extremely prominent hilltop tomb at Sheik Abd el-Qurna where the smashed sarcophagus was found, and where his parents were buried.
Still, he may have died before Hatshepsut and been buried in her tomb. Thutmosis III or his successors may have removed the queen to KV 60 and left Senenmut and the box still in the tomb when found by the reburial commission, and as such both mummy and box may have ended up together in tomb DB 320.
The Mummies Royal
Photo of Sarcophagus: Metropolitan Museum of Art, New York
Photo of Senenmut statue in the Brooklyn Museum by Keith Schengili-Roberts
The Royal Mummies, G.E. Smith
Friday, January 27, 2017
"A result like that which it exhibited when I gained an entrance, if not altogether unexpected, could not be otherwise than vexatious." (1)
This luxurious wooden and ivory perfume box belongs to Scotland's National Museums and was found in a box containing unidentified objects collected by the late archaeologists Alexander Henry Rhind in the National Museum of Antiquities in the late 19th century. It has been speculated that the tomb which it was excavated contained the mummies of the daughters of King Thutmosis IV found by Mr. Rhind while excavating at Thebes in about 1857.
Where exactly the smashed box bearing the name of the father of Thutmosis IV, King Amenhotep II, was found is not clear, however, the late great Egyptologists Cyril Aldred suggested it was among the finds from the tomb that contained the destroyed burial of the princesses. The tomb contained mummies, fragments of tattered cloth, and a number of crude wooden mummy tags. These tags were at one time attached to the destroyed mummies to keep their names with the bodies during processing and burial in ancient times.
"The floors were strewn with bones, torn bandages, fragments-but these not numerous-of mummy-boxes, and (in the lower chamber) with mummies themselves, their wrappings ripped up along the throat and breast. A careful search, which I caused to be made among the debris, only produced fourteen small tablets made of thin wood, about two inches and a half long by two broad, and rounded at the top, each pierced with a hole for the purpose of attaching it to the body."(2)
In his 1862 publication, Thebes; its Tombs and Their Tenants, Mr. Rhind is assisted by the eminent Samuel Birch in the translation of the tags some of which I present here.
"No. 1. The Princess Neferu amen. No.2. The Princess Han en annu. No.3. The Princess Ptah meri, or Meri en ptah. No. 4. The Princess Uai. No.5. The Princess Sat [en] Hara. No.6. The Princess Pet pui. No.7. The Princess Pet pui surname Ta ...en aui. No.8. The Princess Pet aha, of the sun, placer of the world [Thutmosis III.]. No.9. In the year 27 the 11th day of the month Pharmuthi, the Princess Neb tu aa, daughter of the Princess Sat [en] atum. No.10. The Princess Ta enti of the sun, the placer of creation, of the house of the royal family who are after her (or behind her)"(3)
It is unlikely that the exact find spot will ever be identified even though Mr. Rhind was decades ahead of fellow archaeologists in his recording of his excavations. The box is of royal craftsmanship from the late 15th century or early 14th century BC.
Photo; National Museums Scotland
1. Alexander Henry Rhind: Thebes; its Tombs and Their Tenants, pg 87
2. pg 84
3. pg 85
News from Art Daily on recent findings of other pieces of the Amenhotep II box.